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The Synth-Pop Duo's Creative Genius Dave Ball Passes Away, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) created Soft Cell with Marc Almond at Leeds during 1977

The talented musician, one half of the innovative 1980s electronic music band Soft Cell, has passed away at the age of 66.

Together with vocalist Marc Almond, the duo achieved a worldwide hit with their cover of Gloria Jones' the classic track Tainted Love in 1984, and their first record Non-Stop Erotic Cabaret is regarded as a classic of electronic music.

He subsequently formed the innovative techno group The Grid, who achieved popular acclaim with their 1994 single the hit Swamp Thing.

Ball passed away calmly in his sleep at his residence in London on Wednesday 22 October, only a short time after performing a headline show with Soft Cell at the Rewind Festival in Henley-on-Thames.

Recent Health Challenges

During that performance, Ball performed in a mobility chair, as he had for the last two years, following a period of health issues.

"I managed to injure myself quite a bit," he stated in a recent interview. "I broke lower vertebrae in my back and cracked about five ribs and broke my arm."

After catching a lung infection and suffering from sepsis, he was put in an medically-induced sleep and remained in the hospital for half a year.

Nevertheless, he had been in "a great place mentally" over the warmer months, as he worked on a new album with Almond, titled the upcoming Danceteria, which is set for publication in the coming year.

"He was concentrated and very pleased with the new album that we actually completed only a few days ago," said the vocalist in a tribute.
"It's so sad as next year was all set to be such an uplifting year for him, and I find comfort from the knowledge that he heard the completed album and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The duo were at the forefront of the electronic music scene in the beginning of the decade

Tributes

Almond described his collaborator as "a wonderfully brilliant creative mastermind", adding: "He was the core essence of Soft Cell and I'm extremely pleased of our body of work.

"Thank you Dave for being an significant part of my existence and for the songs you gave me. I couldn't be where I am without your influence."

His Grid bandmate from The Grid, shared his condolences, recalling Ball's "constant humor" and "unwavering friendship".

"Forming a partnership with someone is different from being in a group, the bond is very tight," he added.
"That's how it was with us. We went through so many remarkable, extraordinary, life-affirming experiences together. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, photographed at a radio station in 2018

Formative Years

Brought into the world into a single-parent household in Chester in 1959, Ball was given up for adoption when he was 18 months old.

He was raised in Blackpool with his new family his caregivers, who changed his given name from Paul to David, together with his sibling Susan, who was similarly welcomed.

He encountered Almond at Leeds Polytechnic in the late 70s, where they were both learning art. Fuelled by a mutual passion of Northern Soul, they formed Soft Cell the same year, and promptly produced an EP.

Creative Collaboration

The pair were an distinctive pairing: Ball was the reserved technician, bent over his keyboard, while Almond was a flamboyant showman, all glitter and makeup; but they achieved a unique creative synergy.

Ball had developed a interest with electronic instruments after viewing Kraftwerk perform on a television program Tomorrow's World, and began to marry dark electronica to the catchy tunes Almond was composing.

Their signature song became the UK's second most popular song of the early 80s, shifting millions of units worldwide. Alongside hits by Gary Numan, Human League and electronic acts, it helped cleared the path for the synth-pop sound of the 80s.

The song was also included on their full-length debut, Non-Stop Erotic Cabaret, which spawned two further high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They continued the album up with the stand-alone single, Torch, which reached at number two in 1982.

Soft Cell in the studio
The pair were developing fresh songs right up until Ball's death

Professional Journey

Fame had its upsides. "I enjoyed being able to afford my first home, having money and exploring, which makes me sound like a beauty queen," Ball recently shared with a publication.

But it also caused problems. "Sudden riches allowed we could purchase substances to relieve the monotony" of press appearances and television shows, Ball said.

"I know that's a cliché, but it's a truism for a valid cause, because it works for so many bands."

During the party-filled existence, the pair were also growing distant, but they managed to produce a second classic album - the unconventional, tense and fittingly named The Art Of Falling Apart.

They put out one more album, their 1984 release This Last Night In Sodom, before dissolving the group to concentrate on individual endeavors.

Almond proceeded to have a prosperous individual path, including the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who combined dance music with ambient pop over a enduring partnership.

Reunions and Final Projects

Soft Cell came back together in 2001, releasing the charting record Cruelty Without Beauty.

After another break, they returned in 2018, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a farewell show at the O2 Arena on September 30, 2018.

However, they remained together, creating their latest project, Happiness Not Included, during the pandemic restrictions.

Ball lately described the duo's upcoming release as a tribute to the New York club scene they visited while making their initial records.

He noted that his time in hospital had influenced the group's music.

"I had strange recollections when I was coming and going of hospital because I was on morphine," he explained to a publication.
"The new songs are a electronic representation of the noises in my mind from those days.
"Simultaneously, it's about the times we got up to in the 80s."

The last versions were finished only a short time before Ball died. It is scheduled for release in the spring of 2026.

About the author

William Edwards

A tech journalist with over a decade of experience covering digital transformations and emerging technologies across Europe.

Daily Digital News UK

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